Frankenheimer directed two of the best lean political thrillers ever
filmed. The Manchurian Candidate is a quintessential thriller. The
clean black and white photography depicts a political assassination,
masterful brainwashing sequences, and complex sexual issues. Frankenheimer
got the very best from Frank Sinatra as the determined Captain Bennett
Marco and an ice-cold Laurence Harvey marching like a marionette on
poisoned strings as decorated Korean war hero Raymond Shaw. Angela
Lansbury is perfect as the indelible bitch/mother. Will you ever turn over
a red queen from a deck of playing cards without thinking of the
Manchurian Candidate? Seven Days in May was
Frankenheimer's next project, and while perhaps not as flashy as Manchurian
Candidate, it's almost more frightening. Burt Lancaster is powerful
and popular General James Mattoon Scott campaigning for president against
incumbent President Jordan Lyman. But Scott's not willing to take a chance
on losing to the liberal Lyman whom he views as a weak sister. Kirk
Douglas plays Colonel Jiggs Casey who may be the only person standing
between Scott and a military coup. Great stuff, directed with a perfect
sense of reality by Frankenheimer.
The director had an imperial presence in person.
A very tall man with a shock of thick yellow-white hair, Frankenheimer was
aware of the stage. He spoke with charged energy using his huge hands like
a great conductor, shaping the words musically as they described his
passion, filmmaking. Often, Frankenheimer's enthusiasm for a project was
infectious and the result is filmmaking at its best.
Frankenheimer's final film was the made-for-TV drama The
Path to War, starring Michael Gambon as President Lyndon B. Johnson,
making the fateful decision of withdrawal or escalation in Vietnam.
Appropriately enough, it was on TV dramas that Frankenheimer cut his
dramatic teeth with stunning success in the 1950's on shows like Playhouse
90, including the award winning Days of Wine and Roses.
When Robert Kennedy was tragically assassinated
in 1968,at the Ambassador Hotel in Los Angeles he had been staying as
Frankenheimer's house guest. Frankenheimer took the death of his close
friend very hard. Did the event lead to a downturn in the director's
career? Frankenheimer's move from Hollywood to Europe followed
shortly after the horrible night. Did the director of the quintessential
political assassination thriller The Manchurian Candidate feel is
some way touched by twisted fate? In any event, Frankenheimer's career was
an up and down affair in the years that followed and the extraordinary
string of cinema successes of early sixties was never repeated, though the
director had his moments and for every good film, you felt Frankenheimer
was on the way back. His bouts of alcoholism ended in 1981 when he put
directs Ronin. ©United Artists
Along with those twin pillar
thrillers supporting a fine career, Frankenheimer made other memorable
films including, the quiet, introspective Birdman of Alcatraz (1962)
with Burt Lancaster, The Train (1964), an excellent World War II
thinking man's action film, again starring Lancaster, Seconds (1966),
starring Rock Hudson in what might best be described as a chilling
extended Twilight Zone episode. Black Sunday (1977) is a
thriller about a terrorist attack on the Super Bowl, especially chilling
in light of recent events. Robert Shaw is excellent as the Israeli agent
and Bruce Dern is perfectly cast as the Vietnam-veteran with a loose
screw. The Gypsy Moths (1969), seeing video for the first
time on DVD in September, stars Burt Lancaster and Gene Hackman as
A secret pleasure of mine is The Challenge
(1982), an action thriller filmed in Japan starring Scott Glenn as an
American boxer who studies the art of the samurai with a Japanese master
played by Toshiro Mifune. Glenn is lean, Mifune maintains his signature
power, and Frankenheimer has lots of fun exploring the Japanese culture.
Once the action gets going it thrusts with the direction and force of a
samurai's blade. Alas, The Challenge is a DVDMIA.
Of Frankenheimer's most recent films the 1998 Ronin
was good. He was very proud of the Ronin car chase scenes. No
artificial CGI, just some off-the-wall stuntmen and superb choreography. I
think he wanted a grand car chase to speed ahead of William Friedkin car
chase in the French
Connection. Following-up with the sequel at the helm of French
Connection II, Frankenheimer must have been tired of
endlessly hearing people compare FC I and II and talking about the
ground-breaking car chase under Friedkin's baton. The action was certainly
well-filmed. It lacked a great script though. Reindeer Games was
saddled a wooden Ben Affleck and a less than reasonably plausible script.
The best thing about The Island of Doctor Moreau is the later quote
it presented for Frankenheimer: "There are two things I will never do
in my life. I will never climb Mount Everest and I will never work with
Val Kilmer again." Frankenheimer actually admired Marlon Brando's
bizarre portrayal of Moreau. Hard to believe.
Frankenheimer scaled to the heights of film magic but
he had a precarious foothold at the top. Still, each time Frankenheimer
came out with a new film, movie lovers were poised to embrace a powerful
tour-de-force. Perhaps the director didn't always deliver, but happily, we
can enjoy the best of Frankenheimer on DVD including a half dozen director
commentaries accompanying the DVDs left for cinema posterity.
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