Hollywood on the
By Stu Kobak
Click on Thumbnails for Larger
Guess who’s coaching football in the theaters right now. Little Al Pacino is bullying the big boys in Any Given Sunday, Oliver
Stone’s forward pass about football. Pacino plays tired Miami coach Tony D'Amato without chewing up too
The movie may do little more than bring MTV sensibilities to the modern gladiatorial arena,
but it is sure to make an exciting DVD when it ends its theatrical run. Pacino is convincing with
lines like “I need you to lead this team,” or “You run the plays I call,” Pacino’s pacing of Hollywood’s gridiron sidelines
follows a long tradition with coaches in the movies.
“I am going to
tell you something I’ve kept to myself for years. None of you ever knew George Gipp. He was long
before your time, but you all know what a tradition he is at Notre Dame. And the last thing he said
to me, ‘Rock,’ he said, ‘some time when the team is up against it and the breaks are beating
the boys, tell them to go out there with all they got and just win one for the Gipper. ‘ That’s
Pat O’Brien in the title role of famous the famous Notre Dame coach in Knute Rockne, All
American. Some claim the Rockne speech even inspired former President Ronald Regan to win one
for Nancy. History is not clear on the facts. But, one thing history is clear on and that is
Hollywood loves a good coach. He can wring tears from an audience and promote big box office bucks.
Knute Rockne, All American was made in 1940 with Ronald Reagan co-starring as George Gipp. O’Brien
had some experience in the Hollywood coaching ranks before tackling the role of Knute Rockne with College
Coach, a 1933 programmer that starred Dick Powell as the big man on campus. Believe it or not,
O’Brien was probably hired to play a football coach more than most NFL coaches. In The
Iron Major, O’Brien got to bark orders to the
big gridiron boys as coach Frank Cavanaugh., coaching Dartmouth, Boston College and Fordham over 90
Before Rockne inspired Reagan, Hollywood even made musicals about college
coaches. The 1936 Pigskin Parade features Jack Haley as a college football coach desperate
to find a star to save his job. This was two years before Haley became immortalized in tin and
helped coached Judy Garland to find the great Oz. Oh
yes, the 13-year-old Garland made her screen debut in Pigskin Parade.
One of the best Hollywood
college football coaches I recall is Pop Warner, the renowned Carlyle mentor of Jim Thorpe. Charles
Bickford, with his deep authoritarian voice, guided Burt Lancaster through the paces as the
legendary Native American athlete in Jim Thorpe, All American. Great understanding and
sincerity punctuate Bickford’s performance. This coach may be tough but he has a heart. And to
stand up to Burt Lancaster, Bickford needed to generate plenty of screen presence.
John Wayne came directly
from the gridiron to Hollywood. The strapping Wayne was a lineman for USC. These days, USC is more famous for its film school. Almost
thirty years after leaving the gridiron, Wayne returned, this time as a football coach. That’s
right, the ex-college lineman starred opposite Donna Reed in the Michael Curtiz directed Trouble
Along the Way. It’s a most unusual role for Wayne, but if you think of some of his western
roles, like Dunston in Red River or Ethan Edwards in The Searchers, you can easily translate
that hard as nails attitude to the sports arena. Trouble Along the Way is a lightweight,
sentimental film and yes, Wayne is a good coach.
The biggest surprise as a
coach I can think of is Larry “Buster” Crabbe. Those of who grew up on Flash Gordon would be
darn right scandalized to think of Crabbe on the football field, but athletics is what brought the
actor into the Hollywood fold. Crabbe was an Olympic swimmer and got his shot at playing Tarzan. Million
Dollar Legs was his one foray into coaching. Not much of a movie. After doing Tarzan, Flash
Gordon, and Buck Rogers, Crabbe made it to television as “Captain Gallant of the Foreign Legion.”
There are those who think he joined the foreign legion because of his performance as a football
Do you remember Wesley Snipes and
Woody Harrelson butting heads in that fine basketball movie, White Men Can't Jump. Before
these two teamed up under the hoop, they were coached by Goldie Hawn in the football comedy Wildcats.
coaching football. It’s a great concept and it comes to fruition in Wildcats. In the 1986 film, Hawn plays high school teacher Molly McGrath who leaves a comfortable
job at a private school to take prowl the sidelines as the football coach of an inner city high
school. Hawn proves up to pushing the big boys around in this comic romp through the turf. A football movie here and
there has depicted a tough talking lady as team owner, but Wildcats is the only film I
recall featuring a female football coach.
How would you like to be a coach with Harpo and Chico Marx on your team? That may be stretching the field, but in Horse Feathers,
Groucho Marx plays Huxley president Professor Quincey Adams Wagstaff. He also does some unique
coaching on the field, giving classic instruction to his team. “You realize what it means if
Huxley loses this game? It means shame, disgrace, humiliation. Listen you bunch of butterfingered
milksops, the way you’re playing you couldn’t beat a girl’s basketball team. Boys, if you can’t
beat that half-witted bunch of gooks.” Pigskin wisdom from the craziest coach you’ll ever
encounter. And to top it off, Groucho joins his brothers on the field to create their own brand of
What coach takes the title as the grubbiest? Who spits with the best flare
and can’t find a razor sharp enough to clean up his act? My nomination is Jimmy Dugan in A
League of Their Own. Tom Hanks makes the most out of his role as the coach of the Rockford
Peaches in the All Girls Baseball League. Hanks lets it all hang virtually stealing home plate in
every scene, despite sharing the screen with some appealing ladies. Of course, Hanks does more
spitting than coaching, but that's what makes Dugan endearing. A truly phlegmatic performance!
Look no further than The Longest Yard for one of the screen’s
most unusual football coaches. Burt Reynolds plays ex-football star Paul Crewe, a convict in a
prison run by a very anal sports warden. The brutality is rife, but this is football with a
different slant. Crewe does a great job of banding the nasty group of cons into a team, leveling
the playing field against the guards in one explosive jailhouse game. Reynolds, the ex-Florida
State college star, is a most credible player and generates the charisma in this jail yard football
saga to convince anyone he deserves a shot at an NFL coaching contract.
Before Tom Cruise led the Mission Impossible team to box office
triumph, the diminutive actor got to practice All the Right Moves under the guidance of
Craig T. Nelson as coach Nickerson. Maybe those who
saw the movie didn’t really believe Tom could make it on the football field, but coach Nickerson
gave him a tough enough time about. Nickerson may not be the best motivational coach the screen has
ever seen since all he did was convince Cruise that football was not his sport. Since then, Box Office Tom has tried his hand at pool in The Color of Money
with Paul Newman doing a Fast Eddie reprise as a wary coach of sorts, and in Days of Thunder
Cruise as Curt Trickle lets Robert Duvall teach him a thing or two about stock car racing. Tom must
have learned a thing or two about football, despite Craig T. Nelson’s harangues, since his best
film, Jerry Maguire, features Tom playing a
football agent. Now, that was believable!
Paul Newman was a great choice for the role of Reggie Dunlop, player/coach
of the Charlestown Chiefs. Slap Shot,
directed by George Roy Hill, sends the puck scurrying around the ice rink with maximum raucous
results. Reggie is just hoping to survive, looking ahead to one more season on the ice. He's the
guy who lost his way somewhere around the blue line. Reggie drinks with the guys and delivers
sloe-eyed cynical wisdom. To the Hanson Boys, go out there and kill somebody. Meanwhile, behind the
scenes, Reggie battles the sly team general manager Joe McGrath. The barbs between Newman and
Martin are as slick as hockey pucks bounding off the boards.
did someone play a mean trick on Jon Voight. They made him play such a one-dimensional martinet of
a high school football coach in Varsity Blues. Voight does his best to bring some life to
the dedicated coach Bud Kilmer, but the script just does not allow him to do anything but rush
straight ahead for victory, no matter the cost. Coaches wisdom
includes "When did the damn circus come to town. I didn't see no damn trucks." and
"Stick to the basics, stick to the basics, stick to the basics. We're a running team. You only
call what I tell you to call." Voight may just win the vote of coach most likely to get
no sympathy. He shouldn't shoulder all
the blame; someone did write the script that had Voight send a player out on the field held under
the arms of two other players.
I guess playing a mean coach is not an easy decision for an actor. James
Caan's tough boy screen persona makes sense as a tough guy coach and in The Program, he lets
the nasty edge hang out prominently. How can we ever forget James Caan playing nasty coach
in The Program, a 1993 effort to expose the flaws in the sport. Caan acts likes he’s throwing
forward passes in the big game, but he’s asking the other guys to take the lumps.
Nick Nolte played one of the more complex coach role in William Friedkin’s
Blue Chips. Nolte plays Pete Bell, coach at perennially top-rated Western, a
university with a winning tradition as long as a million dollar bills lined up one after another.
Bell has the tough chore of facing down himself over the moral dilemma of paying off players to
stay at school. With his personal life falling apart, Nolte is the perfect actor to dig deep for
the angst to make a three-dimensional character of Pete Bell. Part of Blue Chips is
outstanding, but the film falls short of making the top ten with a less than satisfying puzzle for
the coach to sort out. Corruption is corruption and while Bell comes to realize the compromise he's
asked to make is more than he can live with, it's really a no-brainer. But, Blue Chips is
written by savvy filmmaker Ron Shelton, and there are many scenes between coach and player that
have a firm grasp on truth. Somehow, the emotional core of this film gets out of control and even
Coach Bell doesn't have the play book to find his to victory in this game.
Now we are coming to the king of movie coaches. We’re still in
basketball country, this time in Indiana, Hoosier territory. Hoosiers stars Gene Hackman as
coach Norman Dale. A former prominent college coach, everyone wonders what Norman Dale's motive is
for coming to a backwater town to coach high school ball. Hackman's intelligence as an actor is
especially useful in this role as a high school basketball coach. When Hackman teaches the
fundamentals, you believe he knows them backwards and forwards. His inspirational speeches flow as
easily and naturally as anything even Spencer Tracy delivered. When Hackman says "I love you
guys" to his team, you know he means it. Nothing like an actor of conviction to convince. I'd
take Hackman in any coaching situation and I am confident he would make the right decision. The
fundamentals are all in place for an exemplar basketball movie. Hoosiers delivers with
Hackman at the helm.
From the sampling of Hollywood on the Sidelines, one would guess, it's
pretty hard to deliver a convincing coach on screen. Cliché scripts present a more formidable
obstacle than four three-hundred-pound linemen eagerly awaiting your arrival. Some
outstanding actors have given it their best shot with mixed results. One day, a definitive movie
will be made about the coaching game. There are outstanding elements from any of these films, but I
think it is Hoosiers that comes closest to scoring the most points. Whether it's Hackman or the
fine use of sentimentality, Hoosiers presents a sympathetic portrait of sports coach.
Coaches on DVD
League of their Own You can keep company with Jimmy Duggan and the ladies on a fine DVD
from Columbia-Tristar. An anamorphic transfer,
is a colorful DVD about a colorful period. Sharp images make it east to call balls and strikes. You
can even catch the gleam of sun reflected in coach Duggan’s tobacco expectorations.
Blues is a beautifully transferred anamorphic DVD from Paramount. All the resolution the
NTSC system has to offer is up on the screen. You can check out all of Coach Kilmer's warts. Colors
are bright and flashy, echoing the dialog and plotting. Contrast range produces a snappy picture
with sunshine bright and night scenes deep and rich. Score a touchdown for Paramount with this DVD.
Shot looks refreshingly
new in this anamorphic DVD version from Universal. Bright colors contrast against the white ice.
Focus is beautifully controlled over the many ice rushing sequences. There is very little grain in
the transfer. The Dolby 2-channel mono creates the allusion of the hockey arena and body checks are
delivered with bass impact.
is a widescreen 1.85 transfer on DVD from Live Entertainment. It looks pretty good, but it is
certainly not up to the best of the format. Colors are slightly de-saturated. The image is improved over the laser disc version clean detail.
Grain could be tighter, but it is not obtrusive. MGM has announced a new addition of Hoosiers in
both widescreen, hopefully anamorphic, and full frame versions.
Feathers happily is transferred from very nice film elements. The Universal film is
released through Image Entertainment. There is a minimum amount of dirt and scratches and the
contrast ratio is very good. The mono sound is free of hiss and all the wonderful dialog is easy to
understand. You may laugh through some of the dialog, but that's no fault of the DVD.
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