|Say Anything (SE)/ B+,B
Chief amongst the joys of Say Anything is the
wonderfully sensitive, extraordinarily charming performance of John Cusack
as Lloyd Dobler, a high school everyman for anytime. He's a free-spirit,
but not entirely a flake; a young man searching for his identity, growing
up, coming of age, and true to his generous spirit. Director Cameron Crowe
does a great job win his directing debut. He finds a way to play Say
Anything in a very natural way. It's a clean treatment of teens coming
of age, and you have to appreciate the lack of affectation.
One of the things that marks a Cameron Crowe film
is an obvious affection for his characters. He presents the characters and
tries to give them the better part of the bargain, so to speak. Say
Anything is a very satisfying movie, an entertaining movie, a movie
that has an honest core and tries to understand the issues that young
people face at those milestone moments in their lives.
Running with the keymaster.
Crowe as scriptwriter is the director's best
friend. He delivers an unsentimental work. He could easily have caved to
typical feel-good treatment, but he chooses, bravely and sagely, to make
it an accurate portrayal of young love and that everlasting search for
identity. Dobler represents the character who is not really a
special talented human being, but he's just a nice guy, and he's a nice
guy from his core. He not a nice guy to get things, he has no ulterior
motives; he's a nice guy because that's the way he is. He's the unsung
hero of all these youth films. There are numerous special moments in Say
Anything. The dinner table scene when Lloyd Dobler is asked what he
wants to do with his life and the uncertainty of his response and the
short-term outlook are wonderfully true to life. Hell, what does a
seventeen or eighteen-year-old-kid know about life; he needs more
experience to know where he's going to go. Those of us that think we know
where we want to go, sometimes we get locked into the wrong places. Dopler
standing up to Mr. Court is another outstanding scene. The main characters
are very well drawn. Court's a very interesting character who provides a
number of surprises and levels to the film. And Crowe's view of Court is
complex and not judgmental. And it's complex in it's view of Court. If
anything is a little bit too cute it's probably Dobler's relationship with
his girl buddies. That plays strained at times, but it is
Cusack gets fine support from Ione Skye as Diane
Court, the girl that makes his heart sputter and stop in awe. Skye's a
strong presence. John Mahoney, the terrific character actor who plays her
father bonds beautifully with Skye. Cusack and Skye have equally fine
The transfer is okay. It's mostly sharp, perhaps
not as sharp as it might have been. Colors are slightly desaturated; I
don't remember it in the theaters, but it does look like it could have had
more intensity. Contrast range is a little pinched. Some of the
backgrounds are kind of blend in a little bit to the foreground depriving
the picture of some depth. Skintones are slightly pasty and lack subtlety
of shade. Black levels are good, shadow detail is fine. The Dolby 2.0
surround sound is well-matrixed and the music, always important in a
Cameron Crowe film, plays very well with good bass beat.
A loaded special edition featuring commentary by
director Cameron Crowe and stars John Cusack and Ione Skye, Say
Anything also has 10 deleted scenes, 13 extended scenes, 5 alternate
scenes and a featurette. There's everything you ever wanted to know about
Lloyd Dobler and more.
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