New Line/1997/95/ANA 1.85

    The title Gummo refers to Gummo Marx, the fifth Marx Brother, the one you seldom hear about. Before the boys moved onto the movie screen, Gummo had departed the act. Gummo is about those people you never hear about, and maybe you really don't want to hear about. Only Gummo Marx made a fortune in Los Angeles real estate. The characters in Gummo are locked in the down elevator with no stop in sight.
    The film opens with a narrative reflection on a tornado devastation that flattened Xenia, Ohio in the seventies. The reflection is intercut a number of times during the often incomprehensible narrative that follows. This is one tornado that didn't transport me or anyone else to the land of Oz. I am still recovering from watching Gummo. How many dead cats does it take to build a movie upon? Who were these characters lost in dark, hopeless regions of Ohio? Writer/director Harmony Korine's first feature as a director lacks the narrative structure, however free-flowing, of his first script, Kids. Larry Clark did a great job directing Kids. Korine is a little bit lost in the dismal world of Gummo.

Cat hunters of Middle America on the prowl. İNew Line

    There are compelling elements to Gummo, but the chopped Korine structure simply fails to allow an audience to ride the tornado that this filmmaker has created. The world of Xenia, Ohio  seems populated by a collection of depraved lost souls and deviants. There's a kid roaming around wearing pink bunny ears. He just may be the most normal of the crew. Two pals are the best darn cat hunters in Xenia township until they get some serious competition from a young expert with poison. That conflict is never really developed or resolved. Whatever happened to the young gay man who came on to the dwarf. At least we know the dwarf showed up again to do some arm wrestling. But wait: there are albino gals waiting int he wings panting hotly over prospects of bedding Patrick Swayzee; various women of mentally diminished abilities make love or shave
    The acting is natural, uninhibited, but directionless. The characters are ciphers, left adrift by writer/director Korine. Chloe Sevigny effectively plays one of the sisters that represent the closest thing to normal in Gummo. The cat hunters, Tummler and Solomon, are played with deadpan solemnity by Nick Sutton and Jacob Reynolds. Linda Manz has some interestingly surreal moments as Solomon's mother. Harmony Korine puts in an appearance as confused young gay man. One is left with the feeling that Gummo is a sense memory collection of home movies that exist in Korine's mind.
    The DVD appears to be an accurate reflection of Korine's original material. Korine shot in a mixed bag of media including video. It's not consistently sharp and there is an abundance of grain. Colors is slightly muted, almost like they've been blown away by the force of the tornado. The Dolby Digital 2 channel stereo surround is in your face. A gallery of stills from the film is accompanied by an audio interview of Korine as an extra.


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