| 
				
					| A
						Star is Born (SE)/A,B |  
					| Warner/1954/176/ANA
						2.35 |       A
				Star is Born ranks as one of the grand cinema
				comebacks.  It's a first rate entertainment, produced as a
				vehicle for star Judy Garland, and does it ever make the most of
				her talents. Four years separate her last film for MGM, Summer
				Stock and this Warner Bothers showcase film. Summer Stock,
				made hard on the heels of her release from Annie
				Get Your Gun, was a struggle at best, and the final
				straw was her premature release from Royal
				Wedding and MGM. A remake of the 1937 drama starring Janet Gaynor
				and Frederic March, the George Cukor directed film is a dramatic
				musical, integrating terrific musical numbers as young Esther
				Blodgett becomes movie star Vicki Lester. Cukor also directed
				What Price Hollywood?, the original 1932 film which was
				reworked into A Star is Born, and the director's smooth
				handling of his star pays dividends in a fully realized performance. 
				
					|  |      
				A classic story of Hollywood,  A Star is Born chronicles
				the rise of Vicki Lester and the fall of Norman Maine. Maine
				discovers Esther at a benefit performance. She saves him from
				stage humiliation by some quick thinking with creative dance
				steps on stage. Norman convinces her to stay in Hollywood to
				pursue a film career and as she is molded into a star, they fall
				in love and marry.Judy is
				wonderful in A Star is Born. Her own fragile history as a
				temperamental star echoes the behavior of Norman Maine and adds
				a layer of pathos beyond the script. George Cukor, famous for his handling
				of female stars, gets grand performances from his actors. Cukor
				communicates beautifully with Judy and her nuanced performance
				must give a special nod to the director.  James
				Mason, beyond any
				reasonable screen evidence, makes Norman Maine a charming drunk.
				There are intolerable moments of drunken abuse, but a spark in
				Mason's eye reveals a life line to his humanity that goes deeper
				than the drunken star persona.  Jack Carson does remarkable
				work as head of publicity Matt Libby. It's a venomous performance. Even
				when Maine abuses Libby early in the film, Libby is a
				rattlesnake ready to bite. Charles Bickford* with stentorian voice, commands
				respect, and as Oliver Niles, he is one of the most consistent
				characters in A Star is Born. Tommy Noonan, on the other
				hand, playing Esther's band leader buddy, is rather limp and
				uninspired.
 The musical numbers are a constant joy.
				I love the wan hope of the ballad "It's a New World"
				when Vicki serenades Norman. The delightful "Someone
				at Last" shows off the incomparable energy of Garland,
				transforming her living room to a musical stage. The most famous
				musical number is probably the "Born in a Trunk"
				montage. This was not directed by Cukor and was a late addition
				to the film hoping to capitalize on Judy's charismatic singing
				and dancing.
 Musically or dramatically, A Star is
				Born is a triumph. Filmed with exquisite grace by Cukor,
				acted with heart and passion by Garland and Mason, the film is a
				grand record of  Hollywood.
 
				
					|  |  
					| Blodgett
						props up Maine. ©Warner |      A Star is Born
				went through some drastic cuts after its initial road show
				release. Most usable film elements have yet to be found, but
				sound track recordings exist and have been used in an unusual
				attempt to restore the fluidity of the production.  The restoration elements are
				inconsistent, with some excessive grain on the extant filmed portions.
				The stills and dialogue tracks used to fill in the missing
				footage integrate well with the
				production and add a layers to the film, especially as a
				Hollywood backstage story.The appearance of A Star is Born
				on DVD is a treasure. The virtues outweigh the shortcomings.
				Overall, the elements are smooth and detailed. There are a number of scenes in which grain shows prominently on
				solid light colored fabrics. You might catch a hint of grain on
				faces in several scenes.  Some very slight edge flicker shows up, but it's
				minor. There is one scene in which there's a momentary frame
				glitch when Judy sings "Heaven's Door."  Color depth is
				exquisite, showing off the lush production to best
				advantage.  A few scenes have color pulsing due to element
				deterioration. Blacks are sumptuous with layers of black on
				black clearly defined. Saturation of bright solid colors is a
				virtual explosion of vitality.  Shadow detail is excellent.
				Mixed to Dolby Digital 5:1, the music and songs are treated with
				elegant clarity. Dialogue is cleanly delivered with occasional
				directionality.
 Included as special edition elements
				are three alternate cuts of "The Man That Got
				Away,"  a short clip from the deleted montage song
				"When My Sugar Walks Down the Street," and some
				newsreel and television footage surrounding the premiere and
				party for the film. Trailers for three versions of A Star is
				Born, 1937, 1954, and the Streisand remake of 1976, complete
				the package.
 
				     *Reader Eric Jacobs sadly pointed
            out my mistake in crediting Charles Bickford for the role of the
            studio head in Singin' in the Rain, which was played by
            Millard Mitchell. Thanks Eric.     |     | 
 
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